Proust Questionnaire: 17 questions with Jean Tay
By Yong Shu Hoong
Economic booms and recessions come and go. En-bloc fever, during which the residents of apartment blocks and condos vote to put their homes up for lucrative collective sale, may gather steam or wane depending on market conditions, but it's a phenomenon that never seems to go away for good. So in a way, Jean Tay's 2008 play 'Boom' is one that doesn't go out of style. The Singaporean playwright carves out a story about an elderly woman and her property agent son, whose home faces the prospects of en bloc sale and potential demolition. This is just one of over 20 plays and musicals that Tay has written, after graduating with a double degree in creative writing and economics from Brown University, USA. Her works also include 'Sisters', 'Everything but the Brain' and 'Plunge', as well as the books for the musicals, 'Great Wall: One Woman's Journey', 'The Admiral's Odyssey' and 'Man of Letters'. She has been nominated four times for Best Original Script at the Life! Theatre Awards, winning for 'Everything but the Brain' in 2006. She is the founding artistic director of Saga Seed Theatre, which aims to provide a platform for new writing in Singapore. 1. What are you reading right now? 2. If you were a famous literary character in a novel, play, or poem, who would you be, and why? 3. What is the greatest misconception about you? 4. Name one living author and one dead author you identify with most, and tell us why. 5. Do you believe in writer's block? If so, how do you overcome it? 6. What qualities do you admire most in a writer? 7. What is one trait you deplore most in writing or writers? 8. Can you recite your favourite line from a literary work or a piece of advice from a writer? 9. Complete this sentence: Few people know this, but… 10. At the movies, if you have to pick a comedy, a tragedy, or an action thriller to watch, which will you go for, and why? 11. What is your favourite word, and what is your least favourite one? 12. Write a short-short story in three lines that include the following three words: "sister", "boom" and "knot". 13. What object is indispensable to you when you write? 14. What is the best time of the day for writing? 15. If you had a last supper, which three literary figures, real or fictional, would you invite to the soiree, and why? 16. What personal, social or global concerns are on your mind as you venture into your next theatre and/or writing project? 17. What would you write on your own tombstone? _____
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