1:02am I try to picture my parents in their musty bed, their bodies
fallen apart in sleep. Back then, I had to settle for the floor I could still roll off from to slide down fantasies of leaving school, retreating behind the desks of well-paying jobs, and coming home to a spacious apartment without cracks in the ceiling that squinted through the blur of a spinning fan. Above the bed hung a calendar from which father ripped the months to scrawl 4D numbers across their backs, digits he believed could bring him peace, which the radio languorously announced like a Buddhist chant slowed down. The goddess of mercy loomed over the bedroom door, stiff and slightly aglow in her make-shift altar, haunting our last few minutes of wakefulness, before eyes closed like mouths, swallowing the night, sleep tipping us gently over to spill us back into ourselves. I can almost smell my mother as she stays asleep in my mind, her mouth left open so she would complain of a dry throat in the morning. I smell the lotion she rubbed all over her neck and arms for her eczema. Soon morning will creep in like a lover and our bodies will be caressed by that warm, dust-heavy light. I close my hand, only to feel the slim mattress between my fingers, nostalgia expanding to a dream inside my head like a trompe l’oeil coming to life, pushing out from inside its frame. If I open my eyes for real, I wonder if I might even face the closet where our clothes would be kept, mother’s bras folded and piled up next to father's underwear, and in that corner the long cane used to whip my school grades into shape. This moment, far from an eventual knowledge of loneliness, when mother’s kiss meant love, not need, and father’s hand on my shoulder still assured, You can be anything; I’m always here behind you, it is a Sunday morning. I have no homework today. I have finished it the day before. Indian music opens the neighbour’s window; a silky, filigree voice, lulling me with that possibility of elsewhere. And even before it is time, this scene is fading around the edges, soaking through with shadows, the moment rolling into memory’s deep drawer. And I pull myself back to the front of my head, arriving right behind my eyes, which open, only taking in the dark. Like a pragmatic heart, the clock jumps to life, projecting a steady beam of sound through the air, clearing a path for the mind as it enters the present. I have no work today. I have finished it the day before. But I do. Too much work today. Too many things to do at the office. Then some sanity at another evening’s end: a meal, a book, and some music. I lie in bed waiting for the dark to lift, for another morning to wander into this room and leave its mark on everything. By Cyril Wong QLRS Vol. 4 No. 4 Jul 2005_____
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